
Maureen Golgata's "STILL" moves beyond the small-format works into a 61 × 61 cm square, holding a single dense passage of near-black pigment across a field of saturated red. The dark mass sits off-center, weighted toward the upper register, its edges torn rather than drawn, with a single rivulet dripping down and pooling into the crimson ground below. Around it, the red shifts in temperature — deepening toward maroon at the center, thinning to a pale rose at the canvas edges, as though the color itself were losing and regaining conviction.
The title names an absence of motion, but the surface argues otherwise: brushwork remains visible throughout, scumbled and reworked, and the dark form reads as something arrested mid-gesture rather than settled. Golgata's restraint here is tonal rather than physical — a single hue pushed through its full range, the black passage acting less as a shape than as a held breath within it.
For collectors drawn to Golgata's exploration of fragility and emotional density, "STILL" offers a more monumental register within her practice, the enlarged scale giving the same scarified sensibility room to breathe.