
Ignacio Alvaro's "ECLIPSE" centres a dense, dark disc — stitched from torn fabric and fragments of broken ceramic — against a 156 × 110 cm mixed media ground. A thin ring of embedded LED light escapes from beneath the disc's lower edge, the only source of true brightness on an otherwise matte, textured surface. The effect reads as a body in the act of blocking, not erasing, what sits behind it.
Light and shadow have long structured Andean cosmology, and Alvaro folds that inheritance into a contemporary material — electric current standing in for the sun withheld. The stitched disc carries the same vocabulary of repair found across his practice, its surface built from mended cloth and shard rather than a single continuous material. Darkness here is constructed, not empty; it has visible seams, and the light beneath it insists on being noticed rather than admired.
For collectors interested in Alvaro's use of light as sculptural material, "ECLIPSE" marks a clear departure from his purely textile and ceramic works, pairing ancestral symbol with electric intervention in a single, self-contained threshold piece that rewards viewing in low, controlled light.