DANDELION

Farrah Lee's "DANDELION" is an acrylic on canvas work built on a flat, unapologetic ground of cadmium yellow, cut through by thick black angular strokes that move like branches caught in wind. A single looping line sits upper right, curling back on itself with the ease of a signature. The brushwork stays visibly uneven throughout — thinning where the arm slowed, thickening where it did not, paint ridging where the brush was loaded and dragging to nothing where it wasn't.

Nothing in the surface has been corrected after the fact, and that directness is central to the reading of the work. The title points toward a seed head scattering in the wind, and the black strokes carry that sense of dispersal without illustrating it literally — structure that the colour survives rather than structure that contains it. High contrast does the work here: yellow reaches the eye first, black arrives second and holds the composition together.

For collectors, "DANDELION" offers one of the more immediately legible entries into Lee's gestural vocabulary, its high-contrast palette and confident mark-making making it a strong anchor point for a collection built around her practice.